Born 2001 in the Netherlands, living in Austria since 2008. Studied “Design and Narrative Media” at the University of Applied Arts Vienna and did an exchange at the Class for Moving Image at UdK Berlin.
I work between Creative Direction & Design mainly focusing on Music Videos, Graphic Design, Music Production and everything in between.
My second self-released album. Thematically revolving around the power of imagination. Which for me, is the essence of everything.
Music and text by Jeroen Wijne
Produced by Jeroen Wijne, ffield, Tamino404, sparr00w, Maxi Nagl & pls no
Cover design by Jeroen Wijne
Photography by Aaron Chaudhry
Who controls our desires? Can we trust what we feel? What if there’s a man hiding somewhere, who gains pleasure out of our despair? The music video for “Engel Weinen Nicht” is a continuation of the video for “Verraten” and deepens the plot set by the first video in the series.
Created together with Aaron Chaudhry
Music & Lyrics: Jeroen Wijne
Production: ffield & Jeroen Wijne
Mixing: ffield & Jeroen Wijne
Additional Mixing: Maximilian Nagl
In a nightclub, anonymous figures gather to listen to a menacing singer. In the midst of this scene, someone falls under the singer’s spell and loses themselves in ecstasy.
Created together with Fabian Hammer
Music & Lyrics: Jeroen Wijne
Production: sparr00w & Jeroen Wijne
Mixing: Tamino404
Promotional and show design together with Lukas Juscius for the annual fashion show of the University of Applied Arts Vienna under artistic direction by Craig Green.
Typographic animations paired with grainy footage of mundane waiting situations create an unlikely moment of anticipation and excitement for one of Vienna’s most important fashion events.
For my graduation project I gave myself the challenge to work on an AI music project – something which I’m very sceptical of.
The result is the band “Still Life”.
I invented different characters, gave them personalities and backstories and based on these I created AI agents for each band member. The characters lived in a groupchat where they would collaborate on rough song ideas. They pulled random inspiration from a pool of content I curated / made and reinterpreted these fragments through their own perspectives.
Their ideas became the basis for the EP „Enter The Lotus Club“. 5 tracks written by Still Life and produced by Jeroen Wijne, ffield and Tamino404.
The project asks how a virtual band can develop an aesthetic and cultural position in an era defined by referencing and remixing, using AI as its primary production tool. A tool which at its core is also just a recombination machine.
Details of the installation where listeners were invited to explore the narrative world around Still Life and listen to the EP “Enter The Lotus Club”.
Photography by Aaron Chaudhry
In German we have the word „Tonträger“ (sound carrier) to describe vinyls, cassettes, CDs and so on.
With NFC stickers any object can be turned into a music storage device.
Made these prototypes for Still Life’s EP “Enter The Lotus Club” out of frosted acrylic glass with laser engraved details and real pressed flowers.
The sixth episode of the collaborative fashion film “GIGA 8” between the Moving Image Class (Prof. Stini Roehrs, University of the Arts Berlin) and Fashion Design (Prof. Lars Paschke, Burg Giebichenstein University of Art and Design Halle) centered around model and actress Gigi Spelsberg.
The episode is a dreamlike film scene that explores stagnation and invisibility, set within a waiting room that becomes a visual metaphor for many different situations. What people are waiting for varies widely, from something as ordinary as a bus to something as consequential as a work permit or gender-affirming legal recognition. The scene reveals a tension between powerlessness and self-empowerment within a setting where hierarchy can be felt from the very beginning. In the end, individual action emerges as the only way to reclaim control.
Directed by Jeroen Wijne and Sofie Fink
Fashion by Gent Törber and Frieder Bassfeld
Performed by Gigi Spelsberg
What happens when truth becomes obsolete? The content we encounter is shaped by the mechanisms of post-truth culture—where facts become less recognizable. Referencing Jenny Holzer’s “Truisms” written in the 70s, a new set of “Post-Truisms” is introduced. Engraved on transparent 3d-printed iPhones, they prompt a reconsideration of how information is framed, filtered, and consumed.
Created together with Hera Oh and presented as an installation during Angewandte Festival at the “TRUTH: The lies we live by” exhibition by the Class of Design and Narrative Media.
Branding, Graphic Design and Art Direction for viennese collective R.A.D.S.
Transforming mudchains into a harsh yet delicate and modular design system.
A documentation of nightlife in Vienna, Brno, Prague, Budapest & Berlin. Serving as a visualiser for the song “Verloren” from my debut album “Käfig” as well as a limited edition of handprinted t-shirts and live-show visuals.
Two part music video for TSCHICK “tränen + benzin” and “flügel in flammen”.
Created together with TSCHICK & Fabian Hammer
A dream-like TV-Station visualizer created as a part of the rollout for my album “Pure Fantasie”.
Music & Lyrics: Jeroen Wijne
Production: Jeroen Wijne & ffield
Mixing: ffield & Jeroen Wijne
Ongoing collaboration with austrian indie-rock band “PURPLE”. Logo, Cover and Merch design, plus Creative Direction and Edit for the video “FANCY GLOVES”.
More exciting projects are in the making…
New barrierfree guidance system for WUK (Werkstätten- und Kulturhaus) in Vienna.
Created together with Cheyenne Cattaneo and Danbi Sung combining brick-sized signs with expressive handpainted elements.
Taking inspiration by the history of the former locomotive-factory-turned-cultural-off-space we sought out to bring a strong DIY spirit back into the new mainly refurbished hallways and courtyard.
I strongly encourage you to visit this beautiful building when you’re in Vienna.
Poster campaign for a live show in 2023 at the iconic viennese venue “B72”. Inspired by all the weird DIY posters I would see during nightly walks through different cities.
Fully self-produced debut album “Käfig” released in 2023, a raw and intimate reflection on isolation. Recorded mostly on broken equipment and the built-in MacBook microphone in my bedroom between 2022 and 2023.
A music video and virtual reality experience for the song “Herz aus Glas”.
Made using pointcloud videos from the iPhone FaceID scanner and rendered in realtime using Unity. The pointclouds were rendered as audio-reactive particle systems, which meant that when users would walk through the VR experience the particles would react to the song as it was playing.
Watch the 2D version on YouTube.
A collection of Covers I worked on in 2022. Also known as the black period.
